Kodak EasyShare V570 – Review @ DigitalCameraReview

DigitalCameraReview has recently posted a review on Kodak EasyShare V570, a world’s first dual-lens digital camera with two ccd’s and 2.5-inch LCD Screen. Here’s their verdict on performance & image quality

Kodak V570

“I found the image quality to be average. Colors were accurate and exposure was typically good (especially when you learn how to utilize the exposure compensation adjustment for your tastes). There was a bit of softness in the corners of images. Indoor images, with flash, were too noisy (at auto ISO 125). My outdoor shots had an over-processed feel to them, in my opinion, with too much sharpness. If you notice this as well, you can turn down the sharpness setting.”

In conclusion they write:

“Pros: Nicely designed, good looking camera, Ultra-wide angle is effective, a great item for a point and shoot, Excellent battery life, Easy way to adjust exposure compensation

Cons: LCD is too grainy, hard to determine image quality until on your computer, Zoom and auto focus mechanisms are audible on video, Indoor flash images too noisy, Shutter lag a tad longer than other cameras in its class”

>> Kodak EasyShare V570 Review Roundup

Canon Vs. Nikon

I’m not going to start another ‘classic’ brand war here, but ‘The Great Nikon Vs. Canon Debate‘ by Digital Grin forum is just to good to be missed..


AlienSkin Exposure

AlienSkin has today released Exposure, an all-new plug-in for Adobe® Photoshop® and other compatible host programs which brings the look and feel of film to digital photography. Simulate the warmth and softness of real world film, both color and black and white. Reproduce realistic film grain, and simplify your digital photography workflow.

Alien Exposure

Download free fully functional Alien Exposure


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Casio Exilim EX-Z120 – Review @ Steve’s Digicams

Casio Exilim EX-Z120, a 7.2 megapixel point-and-shoot digital camera with anti-shake DSP, 3x optical zoom, and a 2.0″ LCD screen, has been reviewed at Steve’ s Digicams. Here’s their verdict on image quality


“The 3x optical zoom lens produced sharp results throughout its range, although with noticeable softness in the corners at full telephoto. Its 38 – 114mm (in 35mm equivalence) focal length range is typical for a camera in this class. At 38mm, there’s enough field of view for group portraits and landscapes, while its 114mm telephoto extreme will bring distant subjects a bit closer. The lens exhibits a very slight amount of chromatic aberration (purple fringing in high-contrast areas) and noticeable barrel distortion at wide angle, but the telephoto end of the zoom range is essentially distortion-free.

The overall image quality when using 7-megapixel (3072×2304) Fine mode was good. Our outdoor images were well exposed and colors were nicely saturated. Image noise was essentially absent at ISO 50 and 100, and detectable at ISO 200. While noise was noticeable throughout at ISO 400, those images were useable. Anti Shake mode is capable of boosting ISO to 1600; those images were very noisy and lacking in detail.”

>> Casio Exilim EX-Z120 Latest Price

Sigma 50-500mm f/4-6.3 EX DG APO HSM

Sigma 50-500mm f/4-6.3 EX DG HSM is a high magnification zoom lens, with 10x zoom ratio from 50mm to 500mm, which is optimized for Digital. The lens employs a seven-group zoom system, which provides a high zoom magnification of 10x. Triple-cam Rear Focusing System ensures high precision throughout the whole focus range.


Sigma 50-500mm f/4-6.3 EX DG HSM also equipped with a zoom lock device to eliminate “Zoom Creep” when the lens is tilted down. The tripod mount is composed of magnesium, to minimize total weight and also it is easy to grip and carry the lens due to ergonomic design of the tripod mount.

REVIEWS (last update: 25.01.06)

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Nikon CoolPix P2 – Review @ ePhotozine

ePhotozine has posted their review (with sample photos) on Nikon CoolPix P2, a 5.1 Megapixels point-and-shoot digital camera with 3.5x zoom lens, wireless connectivity and 2.5″ LCD screen.

Nikon Coolpix P2

“The auto white balance setting performs very well on this camera, correcting colour casts enough to leave a pleasing effect. Colour saturation is fairly muted on the normal setting, moving this to ‘enhanced’ gives images a little more punch, moving the saturation to the maximum setting gives great colour for landscapes.

Images from the Nikon Coolpix P2 are generally very sharp and detailed and the matrix metering system copes very well under most circumstances, tending to expose for shadow detail in very high contrast situations.”

Choosing the Ideal Lighting Setup for the Studio

Many a photographer starting out would like to know what lighting combination would work the best. A new studio has the advantage of starting with a new slate. Mimicking current studio setups may not always have the best arrangement because they sometimes have to make do with what was inherited or added to through the years.


The main light should be at least three feet wide and in a soft box configuration. The reason for this is that a soft box places the surface of the light close to the subject without getting in the way of the camera or photographer. Another reason is that the light is kinder to skin surfaces and tends to wrap around the features without losing the modeling.

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Canon EOS 1Ds Mark XXX

Here’s another e-mail from one of our readers.
Introducing.. Canon EOS 1Ds Mark XXX, a 120 Megapixel digital SLR camera with jobs button, money button, beer button, pizza button, sex button, mood button and many more.

Canon EOS 1Ds Mark XXX

If this camera was real, it would be the best camera ever made on earth.

Nikon D200 Vs 4 x 5″ Film

Ken Rockwell has posted the result of his latest test with the new Nikon D200. This time he’s comparing the new Nikon D200 DSLR camera with 4×5″ Film. Here’s some of the reasons why 4×5″ film is better:

Nikon D200

“The D200 has nowhere near as many pixels as the film scan. When enlarged similar amounts the D200, or any digital camera or back, can’t keep up.

As time goes on scanners get better. You always can scan your film again in 10 or 20 years. I have 30 year old Kodachromes and 15 year old Velvias that look identical to when they were new. You’re stuck with whatever you got from your D200, presuming you can even find software to read the raw files if you didn’t save or shoot them as JPGs.”

>> Nikon D200 Review Roundup

Adobe Lightroom – Review @ Photoshopweblog

David Chartier has recently posted his first impression review on Adobe Lightroom, the latest program from Adobe which will help digital photographers to import, select, develop, and showcase large volumes of digital images.

Adobe Lightroom

“it’s fantastic. I’m running it on the latest version of the 15″ PowerBook G4, with a hi-res screen, 1.67 GHz G4 and 1.5 GB RAM, and it runs quick. App startup time is virtually nil, and the whole thing just feels zippy. It offers a great array of features centered around this image comparison/organization paradigm, and some of them are the type of tools where, upon using them, I never even realized I was missing. Some of the toolsets are simply a sort of remixing of the tools and palettes found in Photoshop, offering a very different and handy UI for accomplishing the same kinds of editing, touching up, print preparation and comparison tasks”

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